Del Vecho explained how the film's animation team was organized: "On this movie we do have character leads, supervising animators on specific characters. The animators themselves may work on multiple characters but it's always under one lead. I think it was different on Tangled, for example, but we chose to do it this way as we wanted one person to fully understand and develop their own character and then be able to impart that to the crew. Hyrum Osmond, the supervising animator on Olaf, is quiet but he has a funny, wacky personality so we knew he'd bring a lot of comedy to it; Anna's animator, Becky Bresee, it's her first time leading a character and we wanted her to lead Anna."[34][51][82] Acting coach Warner Loughlin was brought in to help the film's animators understand the characters they were creating.[78] In order to get the general feeling of each scene, some animators did their own acting. "I actually film myself acting the scene out, which I find very helpful," said animation supervisor Rebecca Wilson Bresee. This helped her discover elements that made the scene feel real and believable.[83] Elsa's supervising animator was Wayne Unten, who asked for that role because he was fascinated by the complexity of the character.[84] Unten carefully developed Elsa's facial expressions in order to bring out her fear as contrasted against Anna's fearlessness.[84] He also studied videos from Menzel's recording sessions and animated Elsa's breathing to match Menzel's breathing.[78] Head of Animation, Lino DiSalvo, said, "The goal for the film was to animate the most believable CG characters you've ever seen."[85]
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Frozen opened to positive reviews,[267] with several critics comparing it favorably to the films of the Disney Renaissance, particularly The Little Mermaid, Beauty and the Beast, Aladdin, and The Lion King.[23][268][269][270] Some journalists felt that the film's success marked a second Disney Renaissance.[271][272] The film was praised for its visuals, themes, musical numbers, screenplay, and vocal performances, especially those of Bell, Menzel, and Gad.[273] The "Let It Go" musical sequence was also particularly praised by critics.[274][275][276] Frozen has an approval rating of 90% based on 250 professional reviews on the review aggregator website Rotten Tomatoes, with an average rating of 7.7/10. Its critical consensus reads: "Beautifully animated, smartly written, and stocked with singalong songs, Frozen adds another worthy entry to the Disney canon."[277] Metacritic, which determines a rating out of 100 from the reviews of mainstream critics, calculated a score of 74 based on 43 reviews, indicating "generally favorable reviews."[278] Audiences polled by CinemaScore gave the film a rare "A+" grade on an A+ to F scale.[279] Surveys conducted by Fandango among 1,000 ticket buyers revealed that 75% of purchasers had seen the film at least once, and 52% had seen it twice. It was also pointed out that 55% of audiences identified "Let It Go" as their favorite song, while "Do You Want to Build a Snowman?" and "For the First Time in Forever" held proportions of 21% and 9%, respectively.[158] Frozen was named the seventh-best film of 2013 by Richard Corliss of Time[280] and Kyle Smith of the New York Post.[281]
Sergio Leone is a master of anticipating violence in cinema. The violence itself isn't the point; it's the waiting. This tagline does in two sentences what his movies do in every scene. Tee you up for something brutal.
9) Worship leaders are not connecting with the congregation. I will say that so many worship leaders get lost in their person time of worship when on stage. Eyes close 4th wall up them and the Lord. The problem with this is clarity of why we are doing what we do. It helps to fully understand just how impactful or time before the LORD is and can be. When coaching worship leaders I remind them that you want people to see and hear the truths and convictions of your heart. Open your eyes and connect. We have a message and it is the most important message ever. When is that last time you saw a well know artist singing there message with their eyes closed the entire song? You will not because they want to clearly welcome their fans into that moment with them. It is like magic to see a major artist perform and sing lyrics that you may even have a hard time singing, but they draw you in or turn you off with the delivery of their song. There is nothing wrong with being confident in your gifting. We have to teach our point leaders, that being confident in your message is key on and off the stage. If the teaching pastor taught the whole sermon with his eyes closed what would you think about him? BECAUSE WORSHIP IS MORE THAN SIGNING A SONG.)
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